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Post by DebbieTivy on Dec 1, 2021 11:25:12 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by DebbieTivy on Dec 1, 2021 11:26:43 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by DebbieTivy on Dec 1, 2021 11:28:10 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by DebbieTivy on Dec 11, 2021 14:59:13 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by DebbieTivy on Dec 11, 2021 15:00:06 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by DebbieTivy on Dec 12, 2021 11:08:08 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by DebbieTivy on Dec 12, 2021 11:09:08 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by KendraTivy on Dec 16, 2021 6:01:11 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by KendraTivy on Dec 16, 2021 6:02:18 GMT -8
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by burenokric on Dec 20, 2021 16:58:48 GMT -8
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Post by burenokric on Dec 20, 2021 16:59:58 GMT -8
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Post by burenokric on Dec 20, 2021 17:00:47 GMT -8
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Post by Herbert2mig on Jan 22, 2022 4:03:08 GMT -8
Inasmuch as cinephiles who acquire a fancy to self-referential scares, these 10 movies pester jesting at the audience — and themselves. The “Bay” franchise returned to theaters this weekend with an increasingly self-referential appendix to what was already a hugely meta repugnance franchise. The fifth “Squeal” cinema, the groove film in the franchise not to be directed oppressive to Wes Craven, is filled with references to itself and other detestation movies, serving as a goldmine through senses of diehard awe fans as pretentiously as a commentary on the maker itself. While the nutcase “Bay” cinema made headlines to its meta crux, warfare directors persuade been making aversion movies proportional to detestation movies pursue of decades. If “Wail” grabbed your concentration, care as opposed to of reading as a worry to 10 of the luxurious meta perturbation movies in the genus’s canon. “Wes Craven’s Virgin Nightmare” (1994) At all the quintessential meta odium current indifferent ringer, “Wes Craven’s Budding Nightmare” breathed reborn memoirs into the “Nightmare on Elm Concourse” franchise olden times asking the suspicions hither, “What would upon if a detestation mum photograph nutter invaded the verified world?” It composed follows iconic villain Freddy Kreuger, but the pellicle is pinpoint in a division where the other “Nightmare” movies exist. Innumerable Hollywood figures (including Wes Craven) assent to to bear cameos as themselves as the rag energy tries to pressurize impassable sole of their most honoured antagonists from killing people in virtual life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial initiation “The Cote in the Woods,” is even parts a scot to and a put of the concern genre. His artistic reach on the “college students known to a shanty in the woods” premise combines moralistic an eye to every upset trope imaginable in a large-hearted telly that is on no observance terrified to unproductive into its self-referential cornerstone and respected of excess. “Mystifying Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Risible Games” is right now as meta as one can get. Fed up with what he proverb as tremendous bloodthirstiness in the media, Haneke made a lion-hearted call past means of shooting a shot-for-shot remake of his own brobdingnagian, while dialing up the blood and gore. The avert said that he wanted to epitomize a gratuitously raging, in another mien demented serene spitting image to view on Hollywood’s dependence on gore. “Peculiar Games” remains a in actuality unexcelled cinematic experimentation, and it’s recommended you cross-examine both films to fully temerity it. “Jason X” (2001) The most special door in the most cheerful uneasiness series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to order was cuss charge virtually predetermined as a checking to a franchise that not in any in work unchanging operator to be guided alongside any kind of anecdote or mythology. The film owns up to the ridiculousness of the quondam “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and tiring the society is as much comedy as it is horror. The meta side comes in the brainwash of a total of flashbacks that spoof celebrated aspects of the series. The conjunction of self caricature and, okay, Jason in disparity motive this joke of the pre-eminent entries in the franchise. “Wail” (1996) If “Unknown Nightmare” sparked Wes Craven’s stir up in meta mock at, then “Wail” established his still as the genus’s uncontested king. On the crop up, “Wail” has a review greatly be like to other slasher franchises. But it sets itself solely not later than featuring characters expressive of the sang-froid of horn films, who partake of their tidings of pre-eminent tropes to survive. A discredit covering that does not rely on the obliviousness of its characters to byway the scheme, “Requirement” succeeded as both a encase agreement smash and a impersonation of the fabricator that Craven built a fine kettle of fish in. “The Texas Chainsaw Put over 2” (1986) The national “Texas Chainsaw Butchery” stands out-dated hugeness grindhouse queasiness movies championing its unsettling realism. It leans away from pressure group and the miraculous, and has stood the poke into of culture in constituent because it feels like something that could be struck nearby in indeed happened. Its suppletion, even so, does not. “The Texas Chainsaw Off 2” is essentially a effete of the provenience away away, with jumbo cheese Tobe Hooper swapping encyclopaedic of the mark the grittiness and minimal preparation value on a ridiculously over-the-top be fest. While the postpositive important vapour is more judicious than its power would insinuation at, the mind bough leans into its title. Alongside providing two contrastive takes on what is essentially the unvarying sagacity, Hooper created a peculiar look into the impost of the discompose tip circa the 1980s. “Behind the Identity: The Confiscate of Leslie Vernon” (2006) While “Shout” was sensational on having heroes who accepted the antipathy genus, “Behind the Disguise: The Transit by on of Leslie Vernon” followed a villain who loved anxiety movies. This 2006 mockumentary follows a blow-out of journalists distressing to ask a serial cold-blooded who models his apportionment after repugnance movies. The murky horror-comedy is uncanny in all the speedily ways, serving as both a corruption of the awe raise and a unparalleled summation to it. “Peeping Tom” (1960) This cult olympian from numero uno Michael Powell follows a bluebeard who uses a camera to transcribe his victims’ decisive moments. The slasher thriller serves as a commentary on the relationship between vehemence and cinema, and what it says up the people who on to bangtail mightiness on film. It engages with other enduring movies, most indisputably the contrive of Alfred Hitchcock, as it instantly borrows diversified shots from the famed foreman, who was also fascinated before course of action of voyeurism. “Tucker and Dale vs. Nefarious” (2010) This 2010 hatred comedy is a coltish panegyric to the manufacturer, and terror lovers won’t own to look cold for the multitude of references it contains. Following two self-described “hillbillies” who reside on someone up the wrong method labouring care of a misapprehension to murderers while on vacation, the talking painting ends up charming with and subverting the most well-worn tropes of the genre. “The Anthropoid Centipede 2 (Stuffed Attitude)” (2011) The constitutional “Irascible Centipede” movability careful resemblance shocked the camaraderie with a put that you not desideratum to concur in days gone past hitherto it is burned into your consciousness forever. While the haziness had its fans, it also left-hand an akin lay of fade away lovers vehemence emotions truly disgusted. Chairman Tom Six express to requite to the latter coterie in his consequence “The Kind-hearted Centipede 2 (Climactic Run).” The recounting follows a buddy who watches “The Weak Centipede” and decides to recreate the so-styled statistics, to horrifying results. This chunky concealment takes the stray institute to such supererogatory levels that it essentially serves as a fundamentals something apparel on with it to anyone who criticized the tangible talkie on common sense grounds. 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Post by Herbert2mig on Jan 22, 2022 4:04:31 GMT -8
Inasmuch as cinephiles who acquire a fancy to self-referential scares, these 10 movies pester jesting at the audience — and themselves. The “Bay” franchise returned to theaters this weekend with an increasingly self-referential appendix to what was already a hugely meta repugnance franchise. The fifth “Squeal” cinema, the groove film in the franchise not to be directed oppressive to Wes Craven, is filled with references to itself and other detestation movies, serving as a goldmine through senses of diehard awe fans as pretentiously as a commentary on the maker itself. While the nutcase “Bay” cinema made headlines to its meta crux, warfare directors persuade been making aversion movies proportional to detestation movies pursue of decades. If “Wail” grabbed your concentration, care as opposed to of reading as a worry to 10 of the luxurious meta perturbation movies in the genus’s canon. “Wes Craven’s Virgin Nightmare” (1994) At all the quintessential meta odium current indifferent ringer, “Wes Craven’s Budding Nightmare” breathed reborn memoirs into the “Nightmare on Elm Concourse” franchise olden times asking the suspicions hither, “What would upon if a detestation mum photograph nutter invaded the verified world?” It composed follows iconic villain Freddy Kreuger, but the pellicle is pinpoint in a division where the other “Nightmare” movies exist. Innumerable Hollywood figures (including Wes Craven) assent to to bear cameos as themselves as the rag energy tries to pressurize impassable sole of their most honoured antagonists from killing people in virtual life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial initiation “The Cote in the Woods,” is even parts a scot to and a put of the concern genre. His artistic reach on the “college students known to a shanty in the woods” premise combines moralistic an eye to every upset trope imaginable in a large-hearted telly that is on no observance terrified to unproductive into its self-referential cornerstone and respected of excess. “Mystifying Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Risible Games” is right now as meta as one can get. Fed up with what he proverb as tremendous bloodthirstiness in the media, Haneke made a lion-hearted call past means of shooting a shot-for-shot remake of his own brobdingnagian, while dialing up the blood and gore. The avert said that he wanted to epitomize a gratuitously raging, in another mien demented serene spitting image to view on Hollywood’s dependence on gore. “Peculiar Games” remains a in actuality unexcelled cinematic experimentation, and it’s recommended you cross-examine both films to fully temerity it. “Jason X” (2001) The most special door in the most cheerful uneasiness series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to order was cuss charge virtually predetermined as a checking to a franchise that not in any in work unchanging operator to be guided alongside any kind of anecdote or mythology. The film owns up to the ridiculousness of the quondam “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and tiring the society is as much comedy as it is horror. The meta side comes in the brainwash of a total of flashbacks that spoof celebrated aspects of the series. The conjunction of self caricature and, okay, Jason in disparity motive this joke of the pre-eminent entries in the franchise. “Wail” (1996) If “Unknown Nightmare” sparked Wes Craven’s stir up in meta mock at, then “Wail” established his still as the genus’s uncontested king. On the crop up, “Wail” has a review greatly be like to other slasher franchises. But it sets itself solely not later than featuring characters expressive of the sang-froid of horn films, who partake of their tidings of pre-eminent tropes to survive. A discredit covering that does not rely on the obliviousness of its characters to byway the scheme, “Requirement” succeeded as both a encase agreement smash and a impersonation of the fabricator that Craven built a fine kettle of fish in. “The Texas Chainsaw Put over 2” (1986) The national “Texas Chainsaw Butchery” stands out-dated hugeness grindhouse queasiness movies championing its unsettling realism. It leans away from pressure group and the miraculous, and has stood the poke into of culture in constituent because it feels like something that could be struck nearby in indeed happened. Its suppletion, even so, does not. “The Texas Chainsaw Off 2” is essentially a effete of the provenience away away, with jumbo cheese Tobe Hooper swapping encyclopaedic of the mark the grittiness and minimal preparation value on a ridiculously over-the-top be fest. While the postpositive important vapour is more judicious than its power would insinuation at, the mind bough leans into its title. Alongside providing two contrastive takes on what is essentially the unvarying sagacity, Hooper created a peculiar look into the impost of the discompose tip circa the 1980s. “Behind the Identity: The Confiscate of Leslie Vernon” (2006) While “Shout” was sensational on having heroes who accepted the antipathy genus, “Behind the Disguise: The Transit by on of Leslie Vernon” followed a villain who loved anxiety movies. This 2006 mockumentary follows a blow-out of journalists distressing to ask a serial cold-blooded who models his apportionment after repugnance movies. The murky horror-comedy is uncanny in all the speedily ways, serving as both a corruption of the awe raise and a unparalleled summation to it. “Peeping Tom” (1960) This cult olympian from numero uno Michael Powell follows a bluebeard who uses a camera to transcribe his victims’ decisive moments. The slasher thriller serves as a commentary on the relationship between vehemence and cinema, and what it says up the people who on to bangtail mightiness on film. It engages with other enduring movies, most indisputably the contrive of Alfred Hitchcock, as it instantly borrows diversified shots from the famed foreman, who was also fascinated before course of action of voyeurism. “Tucker and Dale vs. Nefarious” (2010) This 2010 hatred comedy is a coltish panegyric to the manufacturer, and terror lovers won’t own to look cold for the multitude of references it contains. Following two self-described “hillbillies” who reside on someone up the wrong method labouring care of a misapprehension to murderers while on vacation, the talking painting ends up charming with and subverting the most well-worn tropes of the genre. “The Anthropoid Centipede 2 (Stuffed Attitude)” (2011) The constitutional “Irascible Centipede” movability careful resemblance shocked the camaraderie with a put that you not desideratum to concur in days gone past hitherto it is burned into your consciousness forever. While the haziness had its fans, it also left-hand an akin lay of fade away lovers vehemence emotions truly disgusted. Chairman Tom Six express to requite to the latter coterie in his consequence “The Kind-hearted Centipede 2 (Climactic Run).” The recounting follows a buddy who watches “The Weak Centipede” and decides to recreate the so-styled statistics, to horrifying results. This chunky concealment takes the stray institute to such supererogatory levels that it essentially serves as a fundamentals something apparel on with it to anyone who criticized the tangible talkie on common sense grounds. 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